The oldest globally available release from Talisker is the first in a new Sherry-inspired range.
Maybe he was lost this time; perhaps he knew a shortcut he’d not told us about. I started to suspect the former. After all, he was new to this job and hadn’t driven in this part of the world before, so it only seemed fair to give some advice – which he declined to take. His body language was sufficient in way of reply: ‘I’m the driver,’ it said. ‘Let me do my job ferrying you from one distillery to the next. You just sit there.’
Old Man of Storr: Skye’s rugged landscape is intrinsically linked to its whisky
We’d come in from the south the day before, the rain clouds seemingly unable to clear in the hills above Strome Ferry, leaving the west in sunshine. Down the hill to Auchtertyre, we went over the bridge and followed the long drag into Skye’s once-molten heart. The talk of green grassiness, which had dominated the morning, was receding. This was a place of coast and ridge, whose roads had come to a sometimes awkward compromise with the sea, mountains and peat bog.
Logic suggested that if we’d passed the turning to Talisker the previous night, we should retrace our route; but instead he headed north and west, towards Dunvegan. Isolated farmhouses and bed and breakfasts, rusted red roofs, and signs for crafts, and courses. Skye is nothing if not a place with enterprising souls.
To the north a sheer sea cliff, headlands and on the horizon, the Harris hills. Through Treaslane we went, and into Edinbane, then south to Heribost and around Loch Caroy. Steep valleys and encroaching moor, lambs clinging close to their mothers, a hen harrier, fishing boats in the loch, and white horses flicking off the water as the wind picked up.
Striking a balance: Can whisky bottles adequately reflect the spirit’s origins?
Is it possible to capture all of that in a bottle? Can you do it by colour coding and branding, font and followers, recipes and codes? Is Skye too hard to include, is it irrelevant to a world of price points, look and logos?
There is a balance to be struck, I know. The outside of the bottle matters, the cues and cunningly-coded signifiers are essential for success. But there is more to the whisky than the outside of the bottle.
There is always more. It is why some of us obsess about it. I look at the place names and wonder about Ose and Bracadale, Struan and Coillore. I remember asking Cailean MacLean once if anyone could really understand Skye unless they had Gaelic. He paused and said no, then told me the story behind the name of the peak opposite. Maybe it is never able to be fully known, but it shouldn’t stop us trying.
There are clues in the names and the landscape, the stories, songs and dreams of the poets, singers and people, just as there are clues in the aromas and tastes which come in the glass. Comprehension comes not just from books but from the ground underfoot, or when the wind is on your face. You need to get out there and look at the landscape, rather than screens.
Faraway place: Not everyone can make the journey to Talisker distillery
We got to Talisker eventually and, inhaling when I stepped out of the bus, I remembered what my nephew had said to me the week before; of how, when he’d stood here for the first time in eight years, the smell of the smoky mash and spirit immediately brought all the memories of our trip there back.
How, though, can you translate all of this sense of space, seaweed, gabbro, heather and fire that this place invests into the glass, unless you go there? Very few will be able to make that trip, which makes understanding the connections between the outside and the inside, the place and the distillery, the culture and the liquid inside the bottle, so vital. Fail to do that and you have nothing but a cipher. It might work for some spirits but not, I’d argue, for single malt. You need the story, the truth, the place. It all must be balanced.
Later, I looked at the map. It turned out he’d taken a long loop rather than the slightly more direct route. Still, what would have been missed if we’d gone that way? The detour is often a good thing. It helps to show you what is on the inside.
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